Adobe premiere pro cc 2015 guide pdf free download
Additional information: Edit videos quicker with Adobe Premiere professional CC the excellent tools for skilled film editors.
Adobe premiere pro cc 2015 guide pdf free download
Page 55 Optional Select Include All Subfolders to expand the search to any subfolders in the source folder. Page 56 The Tools menu contains submenus for various commands available in the different Adobe applications. XMP is built on XML, and in most cases the information is stored in the file so that it cannot be lost. If it is not possible to store the information in the file itself, XMP metadata is stored in a separate file called a sidecar file. Page 58 Displays settings applied by the Camera Raw plug-in.
Camera Raw Keeps a log of changes made to images with Photoshop. Version Cue Note: Depending on the applications you are using, custom panels for various properties may appear here as well. Page 59 Displays read-only information about the camera and settings used to take the photo, such as make, Camera Data 1 model, shutter speed, and f-stop.
Lists read-only file information about the photo, including pixel dimensions and resolution. Page 60 You can modify the metadata in the File Info dialog box and save it as a template for use with other files. This creates a file without metadata from any other source. Page 61 Bridge, select the keyword and then choose Persistent from the context menu. In the design process, you need the flexibility to try different images before deciding which one you want.
In the text box at the top of the screen, type the word or phrase that describes the subject of the photos you want to search for. When you purchase photos from Adobe Stock Photos, your credit card will be billed in the supported currency. When you find the photos you want to buy, put them in your shopping cart.
When you finish browsing, you can check out and have your images automatically downloaded to your computer. You are prompted to enter your billing and account information. You are prompted to enter your billing information. When you log in with your e-mail address and password, you can work with your account in several ways: After you complete the registration process, modify your account information anytime by Manage your profile clicking the Your Account link in the navigation bar.
To confirm your changes, click Save. Page 69 In the Your Order History page, click the order number highlighted in blue of the photo you want to download again. In the Order Detail page, click the arrow under Download. The photo is downloaded. Page 70 Country menu. The currency displayed next to the Billing Country menu may not be the native currency of that country not all currencies are supported.
Your credit card is billed in the supported currency. Page Collecting Assets All digital camcorders and decks record video in digital formats, but it must be captured transferred to disk before Adobe Premiere Pro can use it in a project.
Page 72 File size limits Adobe Premiere Pro does not limit the size of files. However, your capture card, operating system, or hard disk may set such a limit. Check your capture card and hard disk documentation for information on support of large files.
Page 73 User Guide Supported file formats for import Adobe Premiere Pro can import a number of video and audio formats. It also supports bit color depth, necessary for editing standard and high-definition footage. File format support is provided by plug-in software modules. Most of these software modules are installed automat- ically with Adobe Premiere Pro.
Device control lets you precisely control devices, such as decks and camcorders, with capture and batch capture controls. Page 76 User Guide In the Device Control section of the Settings pane, specify the following options as needed: Indicates how much before the In point Adobe Premiere Pro starts playing the tape before capture. The Preroll Time appropriate value varies depending on the device you are using. Plug-in software codecs are available for other types.
Hardware codecs are built into some capture cards. Page 78 To capture without device control If you do not have a device that can be controlled by Adobe Premiere Pro, you can capture video manually.
You have to operate both the playback device controls and the Capture panel controls in Adobe Premiere Pro. On slower systems, Adobe Premiere Pro may lower the quality of the capture preview in order to ensure that sufficient CPU resources are available for full-quality capture.
Because of the differences among brands of cards, specific options and supported formats can vary. To help determine the effects of your compression settings on the data rate of the captured video, use the Adobe Premiere Pro Data Rate graph. Page 82 A. Record Enable button for track B. Adobe Premiere Pro prepares the sequence for recording but moves the playhead only when you press the Play button.
Page Batch Capturing Batch Capture. If you organized offline clips into bins, you can batch capture an entire bin by selecting the bin. Adobe Premiere Pro can capture video in the background so that you can perform other tasks during capture.
When you start either a manual capture or batch capturing in Adobe Premiere Pro, you can minimize the Adobe Premiere Pro application or switch to another application without stopping capture.
Page 84 In the Capture panel, make sure that your device is online, as indicated above the preview. Insert a tape into your device. Adobe Premiere Pro prompts you to name the tape. Be sure not to give any two tapes you log the same name. Adobe Premiere Pro uses the current data in the Setup and Clip Data sections as defaults for subsequent logged clips. If you want to log a series of clips into the same bin with similar logging data, save work by specifying clip data before you start logging the series.
Page 87 When you import a batch list, the order of fields in the list must be as follows: tape name, In point, Out point, clip name, and comment. Page 88 For Tape Name, type the name of the tape containing the source video for the offline clip. For File Name, type the name of the file as you want it to appear on disk when you capture it using Adobe Premiere Pro.
If you review a clip in the camera, be sure to rewind the tape back into that 5-second margin before recording again. Page 91 As you capture and edit video, you enter timecode values many times. For example, you enter timecode values to set In and Out points for clips and to navigate the Timeline panel.
Adobe Premiere Pro provides many ways to enter timecode. Page 93 Logging pane of the Capture panel. Adobe Premiere Pro supports bit as well as 8-bit Photoshop files. You can control how layered Photoshop files are imported.
Empty transparent areas of nonflat- tened Photoshop files are transparent when imported into Adobe Premiere Pro, because the transparency is stored as an alpha channel. Page 95 Converting layers into a sequence makes it easy to set up graphics using layers in Photoshop or Illustrator. When Adobe Premiere Pro converts layers to a sequence, the sequence is imported into the Project panel as a bin; each layer in the file becomes an individual clip in the bin.
Scaling an image larger than its original size can cause loss of sharpness. Page 97 PLB is a file apart from any project file. A library converts to a bin when you import it into an Adobe Premiere Pro project. The Project panel lists detailed information about each asset in your project.
You can view and sort assets in either List view or Icon view. List view displays additional information about each asset. Page 99 Rearrange columns by dragging them horizontally in the Project panel. For example, you can change the names of columns you added, but not the names of columns built into Adobe Premiere Pro. Page Organizing Assets Location of the file on disk, expressed as a folder path.
Capture Settings Whether an asset is online or offline. If a clip is offline, this also indicates why. You can move bins into other bins to nest them. In Adobe Premiere Pro 2. Page Working With Assets About clip properties Adobe Premiere Pro includes clip analysis tools that you can use to evaluate a file in any supported format stored inside or outside a project. For example, after producing a video clip to be streamed from a web server, you can use clip analysis tools to determine whether a clip you exported has an appropriate data rate for Internet distribution.
Page To change the frame rate of a file You can use the Interpret Footage command to change the frame rate that Adobe Premiere Pro assumes for a clip.
Changing the frame rate changes the original duration proportionally. For example, if you set a second, fps clip to 48 fps, it becomes half as long, with a new duration of 5 seconds.
You can also close the current clip by clicking the Close button in the Source Monitor tab. When no Out point is set, the Source Monitor uses the ending time of the clip to calculate duration, and the Program Monitor uses the ending time of the last clip in the sequence to calculate duration. You can change the magnification setting for each view to see the video in more detail, or to increase the size of the pasteboard area around the image to adjust motion effects more easily, for example.
Page Editing Overview 6. Preview the sequence. As you assemble a sequence, you can preview it in the Program Monitor. Adobe Premiere Pro can play back the assembled sequence in real time as you build it, but in some cases you may need to render the sequence for better playback.
Adobe periodically provides updates to software and Help. Multiple audio tracks are used to mix audio. You can specify the type of audio channels supported by each audio track and decide how they are sent to a Master audio track. Choose Show Clip Keyframes, and then choose the effect containing the keyframes you want to view. Deleting a track removes all clips in the track but does not affect source clips listed in the Project panel.
The range or group acts as a single clip; you can trim its outer edges the In point of the first clip and the Out point of the last clip , but not the interior edges the In and Out points of each clip in the selected range or group.
Overlay is the default method when dragging a clip to a sequence or when rearranging clips in a sequence. Take Video Includes audio only in the sequence. Take Audio Note: Specifying a source track affects a clip only while adding it to a sequence. You can drag video clips to any video track; however, you can drag audio clips only to a compatible audio track.
Page Drag a clip from the Project panel or Source Monitor into the blank space above the topmost video track for a video or linked clip or below the lowest audio track for an audio or linked clip. Adobe Premiere Pro adds an audio track, a video track, or both, depending on the content of the source clip. A four-point edit is useful when the starting and ending frames in both the source clip and sequence are critical.
If the marked source and sequence durations are different, Adobe Premiere Pro alerts you to the discrepancy and provides alternatives to resolve it. This option Apply Default Video Transition is available only when the Placement option is set to Sequentially, and has no effect when the Clip Overlap option is set to zero.
The same number of frames added to the clip are trimmed from the adjacent clip. Page In and Out points later in the clip. Adobe Premiere Pro updates the source In and Out points for the clip, displaying the result in the Program Monitor and maintaining the clip and sequence duration.
Page So naturally, a change in speed results in a corresponding change in duration. Each field contains half the number of horizontal lines in the frame; the upper field or Field 1 contains all of the odd-numbered lines, and the lower field or Field 2 contains all of the even-numbered lines. If you specified No Fields, Adobe Premiere Pro keeps the upper field unless you selected Reverse Field Dominance, in which case it keeps the lower field.
This option is useful when freezing a frame in the clip. The toolbox contains selection tools that can handle various selection tasks.
To enable or disable a clip You can disable a clip while you try out a different editing idea, or to shorten processing time when working on a complex projects.
When you move a clip with snap on, it automatically aligns with, or snaps to the edge of another clip, to a marker, to the start and end of the time ruler, or to the current-time indicator. Sequences that consist of cuts between single tracks of video and audio render quickly, whereas sequences that include layered video In the Timeline panel, rendered areas are marked with a green line.
Page When you render previews, Adobe Premiere Pro creates files on your hard disk. These preview files contain the results of any effects that Adobe Premiere Pro processed during a preview. If you preview the same work area more than once without making any changes, Adobe Premiere Pro instantly plays back the preview files instead of processing the sequence again. Adobe Premiere Pro also provides DVD markers that you can add to a sequence to specify scenes, or a menu structure for sequences that you export to DVD.
Double-click the Set Unnumbered Marker button to open the Marker dialog box as you set it. Chapters divide a movie into segments and allow viewers to go to specific points in a movie. When setting markers for use as chapter links, make sure to space them at least 15 frames apart, or by the amount required by your authoring software.
Page [V] and [A] labels. Even so, Adobe Premiere Pro keeps track of the link. If you relink the clips, they indicate whether they have been moved out of sync, and by how much. Repeat for the other clip.
Page Multiple Sequences To use multiple sequences A single project can contain multiple sequences. All the sequences in a project share the same timebase, which defines how Adobe Premiere Pro calculates time, and which cannot be changed after you create the project. Changing the content of the source sequence is reflected in the content of nested instances. To lengthen the nested instances and reveal material added to the source sequence, use standard trimming methods.
Page Editing A Multi-Camera Sequence To easily synchronize footage from all cameras, make sure each camera records a sync point using a clapper slate or other technique. Keep each camera recording to maintain synchronization. After you capture the footage in Adobe Premiere Pro, use the following workflow to edit the footage For a tutorial on multi-camera editing, go to Resource Center on the Adobe website. Camera 1 B. Camera 2 C. Recorded sequence preview D.
Camera 3 E. Camera 4 F. Record button The Multi-Camera Monitor includes the standard playback and transport controls and keyboard shortcuts.
The Play Take care not to overwrite adjacent clips if you have multiple clips on the same track. Select the clips you want to synchronize. The 1, 2, 3, and 4 keys correspond to each camera.
When you are done recording, click the Stop button or the Record button to get out of recording mode. You can then use the playback controls to preview your sequence without recording over it.
To edit an image file in Photoshop In an Adobe Premiere Pro project, you can open an image file in any format that Adobe Photoshop supports. Select a clip in either the Project panel or Timeline panel. If you want to work with all clips or a single sequence from an Adobe Premiere Pro project, use the Import command to import the project into After Effects.
Note: You can copy multiple layers into Adobe Premiere Pro. Each layer is placed on a separate track. The order in which Adobe Premiere Pro places the layers depends on the order in which you selected them in After Effects; Creating a dynamic link is as simple as importing any other type of asset, and dynamically linked compositions appear with unique icons and label colors to help you identify them.
When you add a linked composition that contains both footage and audio layers to a sequence, Adobe Premiere Pro inserts linked video and audio clips in the timeline. Page Transition Overview A transition moves a scene from one shot to the next. Generally, you use a simple cut to move from shot to shot, but in some cases you might want to transition between shots by phasing out one and phasing in another.
Adobe Premiere Pro provides several transitions that you can apply to your sequence. For this reason, transitions work best with handles—the extra frames beyond the In and Out points set for the clip. Whatever is below the transition in the Timeline panel appears in the transparent portion of the transition the portion of the effect that would display frames from the adjacent clip in a two-sided transition.
Page The default duration of a transition, for either audio or video, is set to 1 second. If a transition contains trimmed frames, but not enough to fill the transition duration, Adobe Premiere Pro adjusts the duration to match the frames. Play The Transition button B. Transition preview C. Edge selector D. Clip previews E. Start and End sliders F. Options G. Clip A first clip H. Transition I. Clip B second clip J. The pointer changes from the Slide Transition icon icon to the Ripple Edit icon Drag the cut as desired.
In the Effect Controls panel, adjust settings: Change the orientation or direction of the transition. In a gradient wipe, image B fills the black area of the grayscale image and then shows through each level of gray as the transition progresses until the white area becomes transparent.
Page Working With Audio Working with audio About audio In Adobe Premiere Pro, you can edit audio, add effects to it, and mix as many tracks of audio in a sequence as your computer system can handle.
Tracks can contain mono, stereo, or 5. Page Adobe Premiere Pro creates a new audio track to match the channel format of a clip dragged to the Timeline panel. Tracks area B. Controls area C. Playback controls In the Audio Mixer, you can adjust settings while listening to audio tracks and viewing video tracks.
Page Viewing audio data To help you view and edit the audio settings of any clip or track, Adobe Premiere Pro provides multiple views of the same audio data.
You can view and edit volume or effect values for either tracks or clips in the Audio Mixer or in the Timeline panel. Page Making quick audio adjustments Although Adobe Premiere Pro includes a full-featured audio mixer, there are times when you may not need many of the options.
For example, you might be creating a rough cut from video and audio captured together from DV footage, output to stereo tracks. Page Track Format stereo, or 5. When you add the clip to the sequence, the clips on the separate mono tracks are linked together.
Page Timeline panel. If the number of source channels is not in multiples of six, Adobe Premiere Pro creates a 5. Page Linking multiple audio clips In Adobe Premiere Pro, you can link one video clip to multiple audio clips or link multiple audio clips together.
Linked clips remain in sync as you move them or trim them in the Timeline panel. You can apply audio effects, including Volume and Panning effects, to all channels in the linked clips. You can record to an audio track in a new sequence or record to a new audio track in an existing sequence. See the documentation for the ASIO device and driver you are using. Audio output mapping Using the Audio Output Mapping preferences, you can specify how each device channel corresponds to an Adobe Premiere Pro audio output channel.
The Stereo and 5. Adobe Premiere Pro examines levels in the clip. In the Effect Controls panel, click the triangle next to Volume to expand the effect. Page Audio Transitions Working with audio transitions Adobe Premiere Pro lets you apply crossfades for audio transitions between clips.
An audio fade is analogous to a video transition. For a crossfade, you add an audio transition between two adjacent audio clips on the same track. Page Panning And Balancing When you output a stereo track to a stereo or 5. A round knob appears when a mono or stereo track outputs to a stereo track.
Page 2 channels or mono 1 channel. However, downmixing can also occur in your project when you assign track output to a track that has fewer channels. Adobe Premiere Pro provides a 5. You can choose from various combinations of Front channels, Rear channels, and the LFE low-frequency effects, or subwoofer channel.
You can output a track to any submix, but to prevent feedback loops, Adobe Premiere Pro allows a submix to be routed only to a submix to the right of it, or to the master track. Page Audio Mixer. The Effects And Sends panel contains Effect Selection pop-up menus to apply up to five track effects.
Adobe Premiere Pro processes effects in the order they are listed and feeds the result of an effect into the next effect in the list; Note: When you use a VST effect not provided by Adobe, the specific control layout and results of the plug-in are the responsibility of the plug-in manufacturer.
Off allows real-time use of Audio Mixer controls without interference from stored automation settings. For example, suppose you are automating a fade from 0 dB to —12 dB.
With this option selected, Adobe Premiere Pro creates keyframes only at the points that represent an increase in value from the beginning 0 dB and ending —12 dB keyframes. Page In the Timeline panel, select a clip containing audio.
The new audio file also appears in the Project panel. Titles are a valuable addition to a movie and can serve many purposes, from naming the people and places in your movie to providing movie-style credits at the beginning and end. Page Click the down-pointing triangle in the Titler tab to open the panel menu.
When you save a title, Adobe Premiere Pro adds it to the active bin in the Project panel automatically. Titles are saved as part of the project. However, you can export titles as independent files that use the. If the title you want to use is on your hard disk but not yet part of the current project, you can import it as you would any other source file. The imported titles become part of the current project file. The default template loads each time you open the Titler.
If a text box is too small to contain the characters you type, you can resize the it to reveal the hidden text. The Font Browser remains open so that you can easily preview another. You can continue changing fonts until you find the right one. Page For vertical text, leading is measured from the center of one line of type to the center of the next line. In Adobe Title Designer, the baseline is the line underneath the text. You can apply more than one leading amount within the same paragraph; The value indicates the percentage of character Tracking width between the specified range of characters.
The direction of the text tracking is based on the justification of the text. The Titler includes standard pen tools that resemble those used in Adobe Illustrator and Adobe Photoshop. In the Title Properties panel, click the triangle next to Properties to expand its list, and then choose an option from the Graphic Type menu.
In general, extend the direction line about one third of the distance to the next anchor point you plan to draw. Page You can either add the image as a graphic element or place it in a text box to become part of the text. The Titler accepts both bitmap images and vector-based artwork such as art created with Adobe Illustrator. For example, for a vertical distribution option, the selected objects are distributed between the highest and lowest selected objects.
These properties include strokes, fills, sheens, textures, and shadows. You can save a combination of properties as a style. Styles appear as buttons in the Titler Styles panel, allowing you to apply favorite property combinations to objects easily. To add a texture, specify a vector or bitmap file for example, an Adobe Photoshop file , or use one of several textures included with Adobe Premiere Pro.
Select the object. You can add both inner strokes and outer strokes. Inner strokes are outlines along the inner edge of your objects, and outer strokes are outlines along the outer edge. You can add up to 12 strokes to each object. Because Adobe Premiere Pro stores each style or set of styles as a separate file, you can share styles with other users. If you share styles, make sure that the fonts, textures, and background files used are available on all systems.
Titler Styles panel To create a style Select an object that has the properties you want to save as a style. All styles visible in the Styles section are saved.
Specify a name and location for the style library file and click Save. Adobe Premiere Pro saves style library files with the extension.
Start Off Screen Specifies that the roll continues until the objects are out of view. End Off Screen Specifies the number of frames that play before the roll begins. Page Animating Effects Chapter Animation Animating effects About keyframes Keyframes are used to create and control animation, effects, audio properties, and many other kinds of change that occur over time. A keyframe marks the point in time where you specify a value, such as spatial position, opacity, or audio volume.
In the Timeline panel, you can see keyframes by expanding the track and choosing the appropriate track viewing options. Value graph B. For video and audio effects, the Timeline panel can display the keyframes specific to each clip. Page A. Track effect properties B. Keyframe graph C. Audio track keyframes D.
Video clip keyframes E. You can also drag the boundaries above and below the track name to increase the track height. Make sure you have a sequence with clips in the Timeline panel. By default, the Fixed effects Motion, Opacity, and Volume are applied to clips in the video and audio tracks. Keyframe navigator in Effect Controls panel B. Current-time indicator C.
Keyframe navigator in Timeline panel To select keyframes If you want to modify or copy a keyframe, first select it. Unselected keyframes appear hollow; selected keyframes appear solid. You increase or decrease values by dragging keyframes vertically. When working with keyframes graphically in the Timeline panel, be aware of how the With this option selected, Adobe Premiere Pro only creates keyframes at the points that represent an increase in value from the beginning 0 dB and ending —12 dB keyframes.
Page The keyframes remain selected after pasting, so you can fine-tune their location in the Timeline panel. You can paste keyframes only to a clip or track that displays the same property as the copied keyframes. Also, Adobe Premiere Pro can paste keyframes at the current-time indicator on only one clip or track at a time. Because the In digital video and film, this usually means generating new values between two keyframes. Creates a smooth rate of change through a keyframe. However, unlike the Auto Bezier interpo- Continuous Bezier lation method, Continuous Bezier lets you adjust direction handles manually.
If you drag the handles, the keyframe changes to Continuous Bezier. Note: Do not confuse the anchor point of a clip with anchor points created with the Pen tool in the Adobe Title Designer. When you click the Transform icon next to the Motion effect in the Effect Controls panel, handles appear on the clip in the Program Monitor that let you directly manipulate the clip and adjust the Motion effect properties.
Page Working With Effects Working with effects Adobe Premiere Pro includes a variety of audio and video effects that you can apply to clips in your video program.
An effect can add a special visual or audio characteristic or provide an unusual feature attribute. For example, an effect can alter the exposure or color of footage, manipulate sound, distort images, or add artistic effects. Page Bezier curves in the Effect Controls panel. You can expand the repertoire of effects by adding compatible Adobe plug-in files or plug-in packages available through other third-party developers.
If you purchased additional effects, purchased Adobe Premiere Pro as part of a hardware package, or removed files from the Plug-ins folder, you may have a different set of effects than those described in Adobe Premiere Pro Help.
Effects bins B. Custom bin C. Audio effect D. Audio transition E. Video effect F. Video transition G. Effects panel menu H. Search text box I. Transitions bins J. New Custom bin K. Delete Custom Item If the clip is selected in the Timeline panel and the Effect Controls panel is open, you can drag the effect directly to the Effect Controls panel.
Fixed effects are included with every clip: the Motion and Opacity effects are listed in the Video Effects section and the Volume effect is listed in the Audio Effects section. Reset Effect button B. Page Eyedropper tool selects a one pixel area. Ctrl-clicking an Eyedropper tool samples a 5 x 5 pixel area.
Page Note: If you have placed the same item in several different custom bins, and you delete that item from one bin, Adobe Premiere Pro deletes each occurrence of the item from the custom and preset bins, and deletes each item from all clips that it affects. Adobe Premiere Pro nests each new presets bin in the root Presets bin.
Page Video Limiter with the other Color Correction effects. For a tutorial on correcting color, go to Resource Center on the Adobe website.
To set up a Color Correction workspace The following is a suggested procedure for setting up your color correction workspace. If possible, choose Highest Quality. If your computer performance suffers, then choose Automatic Quality instead.
Move the Reference Monitor where you can see it and the Program Monitor easily. You can choose Tonal Range from the Output menu to view the tonal ranges you defined. Once defined, choose from the Tonal Range menu to restrict the color corrections to a specific tonal range.
Page Like using the White Balance control, these adjustments affect all the colors in the clip. Note: You can also click the color swatch next to the eyedroppers and use the Adobe Color Picker to select a sample color. Color balance is just what its name implies, balancing the red, green, and blue components to produce the desired color of white and neutral grays in the image. The same adjustments can be made by entering numeric values or using the slider controls in the Fast Color Corrector and Three-Way Color Corrector effects.
Note: The Three-Way Color Corrector effect lets you make separate adjustments to the three tonal ranges using individual wheels for the shadows, midtones, and highlights. Use the Eyedropper tool or the other Secondary Color Correction controls to specify the colors to correct. Page Black Level eyedropper Program Monitor that you want to be the darkest value in the image. You can also click the color swatch to open the Adobe Color Picker and select a color to define the darkest shadow in the image.
Page About the Adobe Color Picker You select a color in the Adobe Color Picker either by choosing from a color spectrum or by defining the color numerically. You can use the Adobe Color Picker to set target colors in some color and tonal adjustment effects. Even an experienced editor can find some value in these! View all Premiere Pro articles. Special thanks to Shotstash for the image used in the cover photo.
At a whopping pages, you can expect this guide to give you a detailed overview of literally everything you can do with Premiere Pro. A lot of the the tips in this PDF are going to be straightforward, or functions you already know. Most importantly, this will give you a solid definition for nearly every word a fellow video editor might use on a daily basis.
This is absolutely perfect and more digestible than the official user guide for a brand new user. This basic guide is written by a user of Adobe Premiere Pro CC, so it only touches on the things that a user will come up against.
This trims the fat from other intro guides, while still being detailed about the important things. This is the perfect Premiere Pro tutorial PDF for someone who is moving from a simpler editor like iMovie, into the more advanced world of Premiere Pro. In other words, having some video editing knowledge and the desire to do more with your editor will make this PDF more valuable! The software itself has changed a bit but the actions you take will be the same. This tutorial PDF is packed with useful tips, in addition to step-by-step instructions with example clips!
For people that learn visually, this is a good PDF to read. For a great middle ground in terms of length and detail, this PDF guide is perfect. At 28 pages, it covers all of the basics of Premiere Pro, as well as some level of detail in important areas. This will take you through all of the important things you need to know.
This was written by a band who recorded and edited a music video. They go through the process from that perspective. Which means there is a bit of bumbling around, and referencing other good tutorials. This is a very human approach that opens the door to plenty of other lessons. Your email address will not be published. FilterGrade is a digital marketplace for creators. Read more. Is Your Photography Business Overspending?